Start
Get to know your camera and take control of exposure, focus and light. Friendly, step-by-step, and made for complete beginners.
Modules
Module 1Know Your Camera12 lessons · about 67 min
Module 2Holding the Camera & Stability14 lessons · about 75 min
Module 117Camera Care, Cleaning & Maintenance17 lessons · about 95 min
Module 4RAW, JPEG & Image Quality Settings13 lessons · about 72 min
Module 5The Exposure Triangle11 lessons · about 63 min
Module 6Aperture & Depth of Field12 lessons · about 67 min
Module 7Shutter Speed & Motion11 lessons · about 64 min
Module 8ISO & Noise10 lessons · about 59 min
Module 3Shooting Modes Explained: Auto, P, A/Av, S/Tv, M13 lessons · about 70 min
Module 11Metering & Exposure Compensation11 lessons · about 63 min
Module 12Reading the Histogram12 lessons · about 68 min
Module 9Focus & Sharpness11 lessons · about 66 min
Module 10Autofocus Modes & Focus Areas13 lessons · about 74 min
Module 18Lens Basics: Focal Length, Angle of View & Perspective10 lessons · about 61 min
Module 13Composition Essentials23 lessons · about 124 min
Module 14Understanding Light13 lessons · about 77 min
Module 15White Balance & Colour Basics11 lessons · about 64 min
Module 19Workflow, Backup & File Management12 lessons · about 72 min
Module 45Lightroom Foundations: Import, Organise & Basic Edits6 lessons · about 38 min
Module 20Your First Photo Walk: Putting It All Together9 lessons · about 55 min
Know Your Camera
Understand how any camera turns light into a photograph, what sensor size means, and where every key control sits on your body.
By the end you can
- Trace light from lens to memory card and name each part’s job
- Explain the real differences between phones, compacts, bridge cameras, DSLRs, mirrorless, medium-format and large-format cameras
- Use crop factor to compare sensor sizes and lens framing
- Find and use your camera’s main dials, buttons and menus by feel
- Set a camera up from scratch: menus, first-day settings, batteries, cards and lenses
Lessons
- 1How a camera worksLesson · 9 min
- 2Tour your cameraTechnique · 7 min
- 3Types of cameraTopic · 5 min
- 4Sensor sizesTopic · 5 min
- 5Screens and viewfindersTopic · 5 min
- 6Settings to change firstTopic · 5 min
- 7Batteries and memory cardsTopic · 6 min
- 8Changing lensesTopic · 5 min
- 9Real-life examplesWorked examples · 8 min
- 10PracticePractice · 5 min
- 11QuizQuiz · 4 min
- 12Cheat sheetCheat sheet · 3 min
Module challenge
Blindfold Bootcamp
A partner, or a shuffled stack of cards you wrote yourself, calls out a control: mode, a dial or wheel, focus point, zoom, display, playback. You make the change with your eyes closed, open them and shoot one frame of the same object. Twelve calls, against the clock.
Holding the Camera & Stability
Hold your camera steadily, know your handheld shutter-speed limits, and choose and use the right support for every situation.
By the end you can
- Tell camera shake apart from subject motion and missed focus
- Use grip, stance and release technique to cut camera shake
- Apply the reciprocal rule and stabilisation ratings to choose a safe shutter speed
- Set up tripods, heads, monopods and hands-off release methods for sharp results at slow speeds
- Choose stance, bracing and stabilisation settings to suit the moment
Lessons
- 1Keeping photos sharpLesson · 9 min
- 2Tripods and camera careTechnique · 8 min
- 3How to standTopic · 5 min
- 4Breathing and pressing the shutterTopic · 4 min
- 5Bracing the cameraTopic · 4 min
- 6Image stabilisationTopic · 5 min
- 7Setting up a tripodTopic · 5 min
- 8Choosing a tripod headTopic · 5 min
- 9Other camera supportsTopic · 5 min
- 10Self-timer and remotesTopic · 5 min
- 11Real-life examplesWorked examples · 8 min
- 12PracticePractice · 5 min
- 13QuizQuiz · 4 min
- 14Cheat sheetCheat sheet · 3 min
Module challenge
The Slow Hands Ladder
Pick one detailed, still subject. Halve your shutter speed every frame, from 1/250 down to 1/4, and use a different support technique from this module for each rung: kneeling, prone, strap tension, a wall, a beanbag, a monopod. How far down the ladder can you stay sharp?
Camera Care, Cleaning & Maintenance
Clean, store and look after your camera, lenses, batteries and cards so they keep working, and know when a fault needs a service centre.
By the end you can
- Clean lenses, filters and the camera body without damage
- Check for sensor dust and decide between blower, swab or service
- Prevent moisture, fungus and battery problems in storage and travel
- Keep an equipment register and maintenance log
Lessons
- 1Why cameras failLesson · 9 min
- 2Care after every shootTechnique · 7 min
- 3Cleaning lenses and filtersTopic · 5 min
- 4Checking for sensor dustTopic · 5 min
- 5Cleaning the sensorTopic · 6 min
- 6Moisture and fungusTopic · 6 min
- 7Storing your gearTopic · 6 min
- 8Battery care and safetyTopic · 6 min
- 9Memory card careTopic · 5 min
- 10Firmware updatesTopic · 5 min
- 11Weather sealingTopic · 5 min
- 12Travelling with gearTopic · 5 min
- 13When to get a serviceTopic · 5 min
- 14Real-life examplesWorked examples · 8 min
- 15PracticePractice · 5 min
- 16QuizQuiz · 4 min
- 17Cheat sheetCheat sheet · 3 min
Module challenge
Clean Kit Sunday
In a single session, clean, check and log every photographic item you own, from the camera to the last spare battery and card. Finish with a flat lay: everything laid out neatly and photographed from directly above.
RAW, JPEG & Image Quality Settings
Understand what RAW and JPEG files really contain, choose the right format, and set your image quality menu for the best possible files.
By the end you can
- Explain how a sensor records colour and what processing turns it into a JPEG
- Compare RAW, JPEG and HEIF by bit depth, flexibility and size
- Set file type, compression, bit depth, colour space and card slots correctly
- Know which problems RAW can rescue and which are fixed at capture
Lessons
- 1RAW and JPEG explainedLesson · 10 min
- 2Set your image qualityTechnique · 8 min
- 3JPEG settingsTopic · 5 min
- 4RAW settingsTopic · 5 min
- 5HEIF filesTopic · 5 min
- 6Bit depthTopic · 5 min
- 7Choosing a colour spaceTopic · 4 min
- 8Using two memory cardsTopic · 5 min
- 9Megapixels and croppingTopic · 5 min
- 10Real-life examplesWorked examples · 8 min
- 11PracticePractice · 5 min
- 12QuizQuiz · 4 min
- 13Cheat sheetCheat sheet · 3 min
Module challenge
RAW Rescue Race
Hunt down the hardest light you can find in an hour: a backlit doorway, a neon sign, a lamp-lit corner at dusk. Shoot one scene RAW + JPEG two stops under, then race the clock to rescue both files. Which one crosses the line looking like a photograph?
The Exposure Triangle
Balance aperture, shutter speed and ISO in stops, so every photo is the right brightness and has the look you intend.
By the end you can
- Explain how aperture, shutter speed and ISO each affect brightness and the look of a photo
- Count and trade stops across all three controls
- Build equivalent exposures for different creative intentions
- Use the meter and sunny 16 to check an exposure
Lessons
- 1How exposure worksLesson · 10 min
- 2An exposure step by stepCase study · 8 min
- 3Understanding stopsTopic · 5 min
- 4Measuring lightTopic · 5 min
- 5Same exposure, different settingsTopic · 5 min
- 6The Sunny 16 ruleTopic · 5 min
- 7Which setting to change firstTopic · 5 min
- 8Real-life examplesWorked examples · 8 min
- 9PracticePractice · 5 min
- 10QuizQuiz · 4 min
- 11Cheat sheetCheat sheet · 3 min
Module challenge
Three Looks, One Light
Same brightness, three different pictures: one shallow, one frozen, one blurred. One subject, one spot, twenty minutes on the clock. The meter must read zero every time; everything else is your choice.
Aperture & Depth of Field
Choose apertures with intent, controlling how much light enters and exactly how much of your picture is sharp from front to back.
By the end you can
- Read f-numbers and calculate an aperture's diameter and stop changes
- Explain the four factors that control depth of field
- Isolate a subject or keep a whole scene sharp on purpose
- Use the hyperfocal distance and avoid diffraction softness
- Predict background blur and diffraction, and compare depth of field across lenses and formats
Lessons
- 1How aperture worksLesson · 10 min
- 2Blur or sharp backgroundsTechnique · 7 min
- 3Reading f-numbersTopic · 5 min
- 4What controls depth of fieldTopic · 5 min
- 5Beautiful background blurTopic · 5 min
- 6Sharp from front to backTopic · 5 min
- 7Finding the sharpest apertureTopic · 5 min
- 8Checking what's sharpTopic · 5 min
- 9Real-life examplesWorked examples · 8 min
- 10PracticePractice · 5 min
- 11QuizQuiz · 4 min
- 12Cheat sheetCheat sheet · 3 min
Module challenge
f/1.8 to f/22 Street Ladder
Pick one ordinary street subject, such as a letterbox, a parked bike or a café sign, and climb the whole aperture ladder without moving your feet. Every full stop, same framing, one grid. The street behind it tells the story.
Shutter Speed & Motion
Use shutter speed to freeze action, show movement with deliberate blur, pan with moving subjects and avoid camera shake.
By the end you can
- Read shutter speeds and count stops of light
- Choose a speed to freeze motion based on subject speed, direction and focal length
- Pan with a moving subject and make intentional motion blur
- Set a safe handheld speed and recognise electronic-shutter artefacts
- Use continuous shooting to catch fast moments and Bulb for exposures beyond 30 seconds
Lessons
- 1Freezing and showing movementLesson · 10 min
- 2How to panTechnique · 8 min
- 3Reading shutter speedsTopic · 5 min
- 4Freezing actionTopic · 5 min
- 5Blur on purposeTopic · 5 min
- 6Burst shootingTopic · 5 min
- 7Very slow shutter speedsTopic · 6 min
- 8Real-life examplesWorked examples · 8 min
- 9PracticePractice · 5 min
- 10QuizQuiz · 4 min
- 11Cheat sheetCheat sheet · 3 min
Module challenge
Freeze, Blur, Pan
Thirty minutes beside a road, path or playground, without leaving your spot. Make one frozen frame, one blurred frame and one panned frame of the same kind of moving subject, choosing each shutter speed before you press.
ISO & Noise
Raise ISO with confidence, understand where noise really comes from, set up Auto ISO and keep low-light photos sharp and clean.
By the end you can
- Explain what ISO does and why it does not add light
- Identify the real causes of noise and the difference between luminance and colour noise
- Set up Auto ISO with a maximum ISO and minimum shutter speed
- Choose between a tripod at base ISO and a high-ISO handheld approach in low light
- Choose and troubleshoot ISO settings in real low-light situations
Lessons
- 1ISO and noise explainedLesson · 10 min
- 2Shooting in low lightField guide · 8 min
- 3Base ISOTopic · 5 min
- 4Types of noiseTopic · 5 min
- 5Setting up Auto ISOTopic · 5 min
- 6Reducing noiseTopic · 6 min
- 7Real-life examplesWorked examples · 8 min
- 8PracticePractice · 5 min
- 9QuizQuiz · 4 min
- 10Cheat sheetCheat sheet · 3 min
Module challenge
ISO Ceiling Night
Go out after dark to one dim scene: a lit shopfront, a street corner, a porch light in the garden. Shoot it at every full ISO stop from base to your camera's highest native setting, then post the highest ISO you would still happily share, with a 100% crop beside it.
Shooting Modes Explained: Auto, P, A/Av, S/Tv, M
Choose the right shooting mode for any scene by knowing exactly which settings each mode hands to you and which to the camera.
By the end you can
- Explain who controls aperture, shutter speed and ISO in each mode
- Choose a mode by asking what matters most in the shot
- Use program shift, exposure compensation and Auto ISO with confidence
- Recognise when a semi-automatic mode has run out of range and fix it
- Save and recall your own set-ups with custom modes
Lessons
- 1Who's in chargeLesson · 9 min
- 2Choosing a modeField guide · 7 min
- 3Auto and scene modesTopic · 5 min
- 4Program modeTopic · 5 min
- 5Aperture priorityTopic · 5 min
- 6Shutter priorityTopic · 5 min
- 7Manual modeTopic · 5 min
- 8Auto ISOTopic · 5 min
- 9Custom modesTopic · 4 min
- 10Real-life examplesWorked examples · 8 min
- 11PracticePractice · 5 min
- 12QuizQuiz · 4 min
- 13Cheat sheetCheat sheet · 3 min
Module challenge
Five Modes, One Corner
Stand on one street corner, park bench or market stall and stay within a few steps of it. Make five different pictures, one in each mode: Auto, P, A/Av, S/Tv and M, each of a subject that mode genuinely suits. The corner stays the same; your reasons change.
Metering & Exposure Compensation
Understand how your camera’s meter thinks, choose the right metering mode and correct tricky exposures with compensation and AE lock.
By the end you can
- Explain why meters turn white and black scenes grey
- Choose between evaluative, centre-weighted, partial and spot metering
- Apply exposure compensation and AE lock with confidence
- Spot-meter a tone and place it deliberately
Lessons
- 1How your camera measures lightLesson · 10 min
- 2Spot meteringTechnique · 8 min
- 3Evaluative meteringTopic · 5 min
- 4Centre-weighted meteringTopic · 5 min
- 5Partial and highlight meteringTopic · 5 min
- 6Exposure compensationTopic · 5 min
- 7Locking exposureTopic · 5 min
- 8Real-life examplesWorked examples · 8 min
- 9PracticePractice · 5 min
- 10QuizQuiz · 4 min
- 11Cheat sheetCheat sheet · 3 min
Module challenge
Snow and Coal
Photograph one white subject and one black subject until both look true: white with texture, black with detail, neither grey. A white cup and a black shoe will do; so will a white cockatoo and a black dog. Then post the pair with your compensation values.
Reading the Histogram
Read your camera’s histogram and highlight alert to judge exposure accurately, spot clipping and fix it before you leave the scene.
By the end you can
- Read the tonal axis, peaks and clipping walls of a histogram
- Match the right histogram shape to high-key, low-key and average scenes
- Use RGB histograms and the highlight alert to catch colour clipping
- Run a fast field routine to correct exposure from a test frame
Lessons
- 1What the histogram tells youLesson · 10 min
- 2Checking exposure quicklyTechnique · 8 min
- 3Histogram shapesTopic · 5 min
- 4Colour histogramsTopic · 5 min
- 5Highlight warningsTopic · 5 min
- 6Live and playback histogramsTopic · 5 min
- 7Exposing to the rightTopic · 5 min
- 8Why the histogram can misleadTopic · 5 min
- 9Real-life examplesWorked examples · 8 min
- 10PracticePractice · 5 min
- 11QuizQuiz · 4 min
- 12Cheat sheetCheat sheet · 3 min
Module challenge
Predict the Graph
Before each of six frames, sketch the histogram you expect on paper or in your phone's notes. Then shoot, screenshot or photograph the camera's histogram, and see how close you came. Choose six different scenes, not six versions of one.
Focus & Sharpness
Diagnose why a photo is soft, place focus precisely, hold the camera steady and use manual focus and tripods to get sharp results.
By the end you can
- Explain the plane of focus and where to place it for people, objects and groups
- Tell missed focus, camera shake and subject motion apart at 100%
- Recognise camera shake and remove it with a safe shutter speed and a steady support
- Focus manually with magnification and peaking
- Test a lens to find its sharpest apertures from centre to corner
Lessons
- 1What makes a photo sharpLesson · 10 min
- 2Sharp every timeTechnique · 8 min
- 3Where focus sitsTopic · 5 min
- 4Where to focusTopic · 5 min
- 5Focusing by handTopic · 6 min
- 6Why is my photo blurryTopic · 6 min
- 7Sharpness across the frameTopic · 6 min
- 8Real-life examplesWorked examples · 8 min
- 9PracticePractice · 5 min
- 10QuizQuiz · 4 min
- 11Cheat sheetCheat sheet · 3 min
Module challenge
Tack-sharp Ten
Ten frames, ten different subjects, every one checked at 100% before you move on. If a frame is not tack sharp where it matters, diagnose it and reshoot until it is. Post your sharpest 100% crop.
Autofocus Modes & Focus Areas
Choose the right autofocus mode and focus area for any subject, use subject detection well and set up back-button focus.
By the end you can
- Explain how phase-detection and contrast-detection autofocus work
- Choose AF-S or AF-C based on subject movement
- Select the right focus area and subject detection for the scene
- Set up and use back-button focus and avoid focus-and-recompose errors
Lessons
- 1How autofocus worksLesson · 10 min
- 2Choosing autofocus settingsTechnique · 8 min
- 3Focus once and lockTopic · 5 min
- 4Focus on moving subjectsTopic · 5 min
- 5Mixing auto and manual focusTopic · 5 min
- 6Single-point focusTopic · 5 min
- 7Wider focus areasTopic · 5 min
- 8Tracking and eye detectionTopic · 6 min
- 9Focus and recomposeTopic · 5 min
- 10Real-life examplesWorked examples · 8 min
- 11PracticePractice · 5 min
- 12QuizQuiz · 4 min
- 13Cheat sheetCheat sheet · 3 min
Module challenge
Catch the Dog
Pick one moving subject, a pet, a child on a scooter or a cyclist, and track it for exactly 50 frames. Then count how many are sharp on the eye or face at 100%. Your keeper rate is your score.
Lens Basics: Focal Length, Angle of View & Perspective
Understand focal length, angle of view and crop factor, and use camera distance to control perspective on purpose.
By the end you can
- Explain what focal length measures and how it sets angle of view
- Convert focal lengths between sensor sizes using crop factor
- Show that perspective comes from camera position, not the lens
- Choose a shooting distance and focal length to control the subject–background relationship
Lessons
- 1Focal length explainedLesson · 10 min
- 2Seeing perspectiveField guide · 8 min
- 3Crop factorTopic · 6 min
- 4Perspective and compressionTopic · 6 min
- 5Lens distortionTopic · 5 min
- 6Getting closeTopic · 6 min
- 7Real-life examplesWorked examples · 8 min
- 8PracticePractice · 5 min
- 9QuizQuiz · 4 min
- 10Cheat sheetCheat sheet · 3 min
Module challenge
Same Face, Two Distances
Photograph a friend at 1 m and again at 5 m, framed identically, and post the pair. Same face, same framing, two very different portraits: the proof that distance, not the lens, shapes a face and its background.
Composition Essentials
Arrange any scene with intent using seventeen core techniques, from thirds and leading lines to figure–ground, timing and a reliable edge check.
By the end you can
- Identify the subject and simplify the frame around it
- Apply thirds, leading lines, framing, symmetry and negative space with judgement
- Use camera height to choose a clean background
- Run a five-step composition routine and check the edges before every shot
- Choose from seventeen named techniques, including timing, looking room and black-and-white seeing, and know when to break each
Lessons
- 1Seeing the frameLesson · 10 min
- 2A simple composition routineField guide · 8 min
- 3Rule of thirdsComposition · 5 min
- 4Leading linesComposition · 5 min
- 5Frames within framesComposition · 5 min
- 6Symmetry and reflectionsComposition · 5 min
- 7Patterns and repetitionComposition · 5 min
- 8Using empty spaceComposition · 5 min
- 9Giving subjects roomComposition · 5 min
- 10Filling the frameComposition · 5 min
- 11Making your subject stand outComposition · 5 min
- 12BackgroundsComposition · 5 min
- 13Foregrounds and layersComposition · 5 min
- 14Choosing your angleComposition · 5 min
- 15Keeping it simpleComposition · 5 min
- 16Diagonals and trianglesComposition · 5 min
- 17Balance in a photoComposition · 5 min
- 18Seeing in black and whiteComposition · 5 min
- 19The perfect momentComposition · 6 min
- 20Real-life examplesWorked examples · 8 min
- 21PracticePractice · 5 min
- 22QuizQuiz · 4 min
- 23Cheat sheetCheat sheet · 3 min
Module challenge
One Subject, Five Tools
Choose a single ordinary subject, such as a bench, a doorway or a tree, and photograph it five ways, each built on a different composition tool from this module. The subject stays the same; only your position, framing and timing change.
Understanding Light
Read the quality, direction, intensity and colour of any light, and choose or shape it to suit your subject.
By the end you can
- Explain why small sources give hard light and large sources give soft light
- Use front, 45°, side and back light deliberately
- Apply the inverse square law to window and lamp light
- Find and shape flattering natural light at any time of day
Lessons
- 1Seeing lightLesson · 10 min
- 2A day of lightField guide · 8 min
- 3Hard and soft lightTopic · 5 min
- 4Light from the frontTopic · 5 min
- 5Light from the sideTopic · 5 min
- 6Light from behindTopic · 6 min
- 7Light from aboveTopic · 6 min
- 8How light fadesTopic · 6 min
- 9Bounced and softened lightTopic · 6 min
- 10Real-life examplesWorked examples · 8 min
- 11PracticePractice · 5 min
- 12QuizQuiz · 4 min
- 13Cheat sheetCheat sheet · 3 min
Module challenge
Window Clock
One window, one object, three times of day. Watch how the same window gives you hard, soft, warm or cool light as the sun moves round the sky, without you moving anything at all.
White Balance & Colour Basics
Control colour casts with white balance presets, kelvin and custom settings, correct RAW files accurately and use warmth or coolness deliberately.
By the end you can
- Read common light sources on the kelvin scale
- Choose between auto, preset, kelvin and custom white balance
- Correct temperature and tint casts in RAW files
- Make deliberate warm or cool colour choices for mood
Lessons
- 1White balance explainedLesson · 10 min
- 2Getting colour rightTechnique · 8 min
- 3Auto white balanceTopic · 5 min
- 4White balance presetsTopic · 5 min
- 5Setting colour temperatureTopic · 5 min
- 6Green and pink castsTopic · 5 min
- 7Mixed lightingTopic · 6 min
- 8Real-life examplesWorked examples · 8 min
- 9PracticePractice · 5 min
- 10QuizQuiz · 4 min
- 11Cheat sheetCheat sheet · 3 min
Module challenge
Warm Room, Cool Street
Shoot one interior under lamps and one exterior at twilight, each at a correct white balance and at a deliberately wrong one. You end the evening with four frames that show white balance as a creative choice, not just a correction.
Workflow, Backup & File Management
Build a repeatable card-to-archive workflow with clear names, fast culling and backups that survive drive failure, theft and mistakes.
By the end you can
- Follow an eight-stage workflow from capture to archive
- Name folders and files so they sort and search reliably
- Set up a 3-2-1 backup and prove it works with a restore test
- Import, verify and cull a shoot efficiently
Lessons
- 1Workflow and backupsLesson · 10 min
- 2Copying and backing upTechnique · 8 min
- 3Organising foldersTopic · 5 min
- 4Naming filesTopic · 5 min
- 5Picking your best shotsTopic · 6 min
- 6Keywords and copyrightTopic · 6 min
- 7Where to store photosTopic · 6 min
- 8Archiving old photosTopic · 6 min
- 9Real-life examplesWorked examples · 8 min
- 10PracticePractice · 5 min
- 11QuizQuiz · 4 min
- 12Cheat sheetCheat sheet · 3 min
Module challenge
The Restore Test
Make a test folder of 20 photos inside your normal structure, let it back up, then delete it from your computer. Now restore it from your backup against the clock. Ten minutes or less means your system works when it matters.
Lightroom Foundations: Import, Organise & Basic Edits
Set up Lightroom with confidence: understand the catalogue, import and cull efficiently, organise with collections and keywords, and make clean basic edits.
By the end you can
- Explain how the catalogue, folders and non-destructive edits work together
- Import, cull and organise a shoot with a repeatable workflow
- Make a basic edit in a reliable order using the Basic panel
- Export correctly sized files for web and print
Lessons
Module challenge
Eight Frames, One Look
Edit eight frames from one shoot so they read as a set, then post them as a grid.
Your First Photo Walk: Putting It All Together
Plan and shoot a photo walk, choosing settings by priority and working each scene so the technical decisions become second nature.
By the end you can
- Set up a default walk configuration and adjust one setting per scene
- Choose a mode from the picture’s priority: depth, motion or light
- Plan a route around the light and work scenes wide, medium and close
- Edit a cohesive set of six photographs from one walk
Lessons
Module challenge
Ten Prompts, One Walk
Write ten one-word prompts on a card before you leave, such as red, reflection, shadow, line, window, hands, wheels, sign, green and waiting. Then walk for ninety minutes and make exactly one keeper for each prompt, in any order.